Omini brutti e gattini rotondi
From “Tutti quelli che invece Restano” a short remake of the Odissey, written from an unusual point of view: Penelope’s
The Basement at the 1402, very manly I would add, followed by Tyler’s super tidy room and finally our Neighbors’ houses: I confess I’ve been creeping on them sitting on the porch in the sun!
How the camera sees her,
How Sergio Toppi would have seen her,
How I see Ele.